Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The volume retraces the influence of futuristic typographic experimentalism on the dada photomontage, investigating the progressive transformation of the alphabetical fragment into an image in the research of the first avant-garde movements. Moreover, it analyses the avant-garde reinterpretation of the neue Typographie in central-east-Europe. From the "Words-in-Freedom" to the Lautgedicht, from the Manifesto Poems to the first photomontages, the role of typography in the affirmation of two postulates of the twentieth-century artistic culture is analysed: the use of the word is the form and the value of the procedure is the meaning of the work. A chronology, commented on by photographic and documentary materials, which also offers the reader an instrument of exegesis in synergy with the critical text, paying particular attention to the testimonies of the Dadaists in the context of the neo-avant-garde movement.

Art, Modern. --- Futurism (Art) --- Graphic design (Typography)

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The volume retraces the influence of futuristic typographic experimentalism on the dada photomontage, investigating the progressive transformation of the alphabetical fragment into an image in the research of the first avant-garde movements. Moreover, it analyses the avant-garde reinterpretation of the neue Typographie in central-east-Europe. From the "Words-in-Freedom" to the Lautgedicht, from the Manifesto Poems to the first photomontages, the role of typography in the affirmation of two postulates of the twentieth-century artistic culture is analysed: the use of the word is the form and the value of the procedure is the meaning of the work. A chronology, commented on by photographic and documentary materials, which also offers the reader an instrument of exegesis in synergy with the critical text, paying particular attention to the testimonies of the Dadaists in the context of the neo-avant-garde movement.

Art, Modern. --- Futurism (Art) --- Graphic design (Typography)

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The volume retraces the influence of futuristic typographic experimentalism on the dada photomontage, investigating the progressive transformation of the alphabetical fragment into an image in the research of the first avant-garde movements. Moreover, it analyses the avant-garde reinterpretation of the neue Typographie in central-east-Europe. From the "Words-in-Freedom" to the Lautgedicht, from the Manifesto Poems to the first photomontages, the role of typography in the affirmation of two postulates of the twentieth-century artistic culture is analysed: the use of the word is the form and the value of the procedure is the meaning of the work. A chronology, commented on by photographic and documentary materials, which also offers the reader an instrument of exegesis in synergy with the critical text, paying particular attention to the testimonies of the Dadaists in the context of the neo-avant-garde movement.

Italian literature.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Women Art Dealers brings together fascinating case studies of galleries run by women between the 1940s and 1980s. It marks a departure from other work in the field of art markets, challenging male-dominated histories by analyzing the work of female dealers who anticipated the global model, worked to promote art across continents, and thus developed an international art market. Part 1 focuses on the women gallerists behind the promotion of modern art after World War II who participated in important research about the neo-Avant-Garde. Part 2 examines the contributions by women art dealers toward the birth of new markets - through establishing the reputation of artistic genres, such as video art and photography, and working at the forefront of advancing contemporary art. Finally, Part 3 analyzes case studies from the southern European art scene, paying fresh attention to several under-researched markets in the region like Italy and Portugal. Each chapter study provides a historiographic profile of the gallery under discussion and critical analysis is supported with a wide range of visual material including portraits of the women art dealers, photographs of the exhibitions they managed, and printed documentation like catalogues, invitations, and posters that were often used to support artists on display in experimental ways"--

Women art dealers. --- Art galleries, Commercial --- Art, Modern --- Marchandes d'œuvres d'art. --- Galeries d'art --- Women art dealers --- History --- Economic aspects. --- Marketing. --- Histoire --- Economic aspects --- Marketing --- 1900-1999 --- Art galleries, Commercial. --- 1900-1999. --- Economic relations. Trade --- Art --- art market --- Modern [style or period] --- art galleries [institutions] --- art dealers --- women [female humans]